Portable Fumes as EFCC Summons Him for Naira Misuse!

In a compelling report released by The Cable on Tuesday, June 2, 2026, the polarizing Nigerian singer Habeeb Okikiola, widely known as Portable, has sensationally claimed that the Economic and Financial Crimes Commission (EFCC) has reached out to him with an invitation, stemming from accusations of naira abuse. The musician, who is no stranger to controversy, is voicing his frustrations in a candid video shared on social media platforms, where he passionately questions the glaring double standards he perceives in the treatment of public figures.

Portable finds himself embroiled in a heated debate as he expresses bewilderment over why he seems to be the primary target in what he describes as a campaign against the practice of spraying and stepping on cash during events—something he asserts is not exclusive to him. He points fingers at other entertainers, claiming they enjoy immunity while he faces unwarranted scrutiny for similar actions. His impassioned plea underscores a sense of injustice, as he implies that his ethnic background plays a pivotal role in this targeted approach, suggesting a broader narrative of inequality in the treatment of individuals based on their origins.

“I’m questioning why I’m singled out,” Portable declares defiantly, asserting that if any hardship comes his way, it could spark widespread public outrage. “I’m a Yoruba boy. While Igbo and Hausa entertainers can spray cash freely at parties, somehow I have become the face of this issue,” he adds, highlighting what he sees as a disparity in enforcement. In a striking statement, he emphasizes, “Tompolo stepped on money, but because I carried bundles of money, you wrote a letter to me. Your actions could lead to significant problems,” signaling a broader discontent simmering beneath the surface.

In the same breath, Portable makes it clear that he has long tried to stay out of contentious debates, but feels cornered into a position that demands confrontation. “You are sending me a letter—yet I have not engaged in any fraudulent activities. I have not stolen; I have not aligned myself with bandits,” he states firmly, his words dripping with frustration towards the “red uniformed officers” he feels are looming as potential threats to his freedom and livelihood. His warning echoes a significant concern: “If anything happens to me, protests will erupt.”

He addresses President Bola Ahmed Tinubu directly in his fervent appeal, suggesting that his loyalty and vocal support for the political figure may be influencing the ongoing scrutiny of his career. “Hello daddy Tinubu, our minds are no longer at rest. They have written a letter to problem. Is it because I am supporting and campaigning for Tinubu? They want to wreck what I’ve built,” Portable implores, drawing attention to the intertwining of politics and personal impact in his life.

Reiterating the legitimacy of his income, the singer insists that his earnings stem strictly from his profession as a musician, both within Nigeria and on international stages. “It is my music that sustains me,” Portable passionately asserts, detailing his successful ventures in cities across the globe, including London, America, Germany, and Canada. He mentions cryptocurrency as part of his financial dealings for shows, clearly stating, “I do not engage in fraud or scams,” and emphasizing his reliance on Bitcoin and other digital currencies to facilitate his earnings.

In a profound critique of what he deems selective law enforcement, Portable raises a critical question: why are security agencies focusing their energies on entertainers like himself instead of addressing more pressing societal issues? He argues that violent crimes and serious offenders are permitted to roam free, while he faces the harsh lens of public scrutiny for simply enjoying life and celebrating through the culture of his community. “We need to prioritize real crime; there are far more serious issues at hand than what we do at our joyous gatherings,” he concludes, leaving a resonating call for a reevaluation of how laws are enforced and who they serve.

This compelling narrative invites us to reflect on the implications of targeted scrutiny, societal inequalities, and the complexities of celebrity culture within Nigeria, inspiring a deeper dialogue on fairness, justice, and the freedoms of expression in celebration and art.